Amos unearths dragon within: a gothic reckoning with democracy
Tori Amos, seemingly channeling ancient Celtic deities and a half-dragon persona, is unleashing a fiercely personal and politically charged new album, ‘In Times of Dragons,’ alongside a long-awaited tour. But this isn’t a straightforward celebration; it’s a dark, sprawling exploration of tyranny and the fight for democratic ideals.
Shush: a southern gothic echo of rebellion
The initial offering, ‘Shush,’ immediately establishes this thematic shift. It unfurls like a classic Southern gothic tale – a slow-burning, doomy track centered around a spectacularly over-the-top, lizard demon husband. Forget pop; this is world-building on a monumental scale. Amos, with her signature piano and commanding vocals, expertly navigates complex subject matter, delivering a weighty message with undeniable grace.
However, the show isn’t solely a showcase for the new material. Amos bravely forges a path through her extensive back catalogue, offering a mesmerizing selection. From the delicate beauty of ‘Ruby Through the Looking-Glass’ to the hypnotic grooves of ‘Little Amsterdam,’ the set is a testament to her enduring artistry and the fervent adoration of her audience. The room vibrates with a palpable love for the artist, each note held with almost devotional intensity.
The angels and the intimacy lost
A trio of backing singers – dubbed ‘angels’ by Amos – are strategically deployed throughout the performance, adding layers of vocal texture. While they undeniably elevate certain tracks, notably ‘Pandora’s Aquarium’ and ‘Witness,’ their presence occasionally disrupts the raw, intimate connection that has always defined Amos’s live shows. Yet, the vocal interplay remains consistently polished, a testament to the musicianship on display.
A closer than expected – cornflake girl's resurgence
The evening culminates in a breathtaking rendition of ‘Cornflake Girl,’ a career highlight that sent the entire venue into a frenzy. The performance felt both tightly controlled and wonderfully loose, conveying a sense of meticulous detail alongside expansive emotion. It’s a stark contrast to the album's dark themes, yet ultimately, it’s a perfect encapsulation of Amos’s ability to simultaneously provoke and comfort. Crucify, the final track, is a masterful close, a tender and rousing declaration that leaves a lasting impression.
Amos will be touring through the UK and Ireland until April 21st, and internationally until July 7th. Don’t miss the opportunity to witness this singular artist – and her dragon – in person.”n