Most of you here know me as an author and book raconteur, but the bulk of my time is spent editing other people’s books.
I’ve been doing this professionally for over twenty years and find it very gratifying to help an author make the book the best it can be. The quality of manuscripts I get for editing varies widely, but usually if there is a kernel of a good plot and a few compelling characters, it can be transformed with tweaking, content editing and copy editing into something that shines and sings, that is, a winner.
Savvy, market-smart authors, particularly the best writers, recognize the high value a good edit imparts to their books, a value that often translates to increased recognition and sales. They wouldn’t dream of foregoing a professional edit for they know they cannot catch everything, they are too close to it, and really dumb errors will be invisible to them after working on a manuscript for a length of time. And those errors will wind up, to their great embarrassment, in the published book, significantly detracting from the positive impression the author wants to make.
Novice writers, on the other hand, in their rush to publish and urge to skimp, often skip this critical editing step and, sadly, reap what they sow: poor reviews and poor sales. Readers are an unforgiving lot; today they will not tolerate a poorly edited book. They call you out on them in many cases in reviews, blog posts and Face Book, compounding the problem and spreading the bad news.
A professional edit protects you from this potential public ridicule and increases exponentially the chances of your book in the marketplace. Don’t skimp on it, consider it insurance against a natural disaster endangering the life of your beloved book you’ve worked so hard on.
To reach me with editing queries, email firstname.lastname@example.org or visit my site Margaret Langstaff Editorial for additional information