After my rather downer post on the state of publishing today, I just can’t resist reasserting the ultimate value of the book. Take a look at these and check out the related blogs. So beautiful and reverent
By Irene O’Daly
Medieval books were often expensive to produce, and usually the property of institutions. But some manuscripts were copied specifically for individuals, and designed to be carried on the person. Portable manuscripts come in many different forms and each is a witness to a different context of use – a valuable insight into medieval culture. Size is a major factor influencing the portability of an object, indeed, it can be a defining characteristic in evaluating the potential use-context of a manuscript, as discussed here in another blog entry. But size does not always tell the full story.
Take, for example, the production of one-volume Bibles in the thirteenth century. These Bibles (often termed ‘Paris Bibles’, as Paris was the major, though not only, centre of their production) represented a dramatic departure from previous practices. Bibles were traditionally large, often copied in separate volumes, but Paris Bibles were…
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